fuckyeahbeatlesmusic:

The Beatles - With A Little Help From My Friends

“The song With A Little Help From My Friends was written specifically for me, but they had one line that I wouldn’t sing. It was ‘What would you do if I sang out of tune? Would you stand up and throw tomatoes at me?’ I said, ‘There’s not a chance in hell am I going to sing this line,’ because we still had lots of really deep memories of the kids throwing jelly beans and toys on stage; and I thought that if we ever did get out there again, I was not going to be bombarded with tomatoes.” - Ringo Starr

“This was written out at John’s house in Weybridge for Ringo; we always liked to do one for him and it had to be not too much like our style. I think that was probably the best of the songs we wrote for Ringo actually. It was pretty much co-written, John and I doing a work song for Ringo, a little craft job. I always saw those as the equivalent of writing a James Bond film theme. It was a challenge, it was something out of the ordinary for us because we actually had to write in a key for Ringo and you had to be a little tongue in cheek. Ringo liked kids a lot, he was very good with kids so we knew Yellow Submarine would be a good thing for Ringo to sing. In this case, it was a slightly more mature song, which I always liked very much. I remember giggling with John as we wrote the lines ‘What do you see when you turn out the light? I can’t tell you but I know it’s mine.’ It could have been him playing with his willie under the covers, or it could have been taken on a deeper level; this was what it meant but it was a nice way to say it, a very non-specific way to say it. I always liked that.” - Paul McCartney

The Beatles - Girl

“This was about a dream girl. When Paul and I wrote lyrics in the old days we used to laugh about it like the Tin Pan Alley people would. And it was only later on that we tried to match the lyrics to the tune. I like this one. It was one of my best.” - John Lennon

“It was always amusing to see if we could get a naughty word on the record: ‘fish and finger pie’, ‘prick teaser’, ‘tit tit tit tit’. The Beach Boys had a song out where they’d done ‘la la la la’ and we loved the innocence of that and wanted to copy it, but not use the same phrase. So we were looking around for another phrase, so it was ‘dit dit dit dit’, which we decided to change in our waggishness to ‘tit tit tit tit’, which is virtually indistinguishable from ‘dit dit dit dit’. And it gave us a laugh. It was to get some light relief in the middle of this real big career that we were forging. If we could put in something that was a little bit subversive then we would. George Martin might say, ‘Was that “dit dit” or “tit tit” you were singing?’ ‘Oh, “dit dit”, George, but it does sound a bit like that, doesn’t it?’ Then we’d get in the car and break down laughing.” - Paul McCartney

theswingingsixties:

The Beatles — Rocky Raccoon  - 1968

captainjackattack:

Everyone should listen to this. Blackbird as performed by Time for Three.

theswingingsixties:

The Beatles — Only A Northern Song

suicideblonde:

The Beatles - Tomorrow Never Knows

Can’t Buy Me Love, The Beatles

theswingingsixties:

The Beatles — Blue Jay Way - 1967

A stellar example of George Martin’s work with The Beatles - here he wrote and produced the arrangement for double string quartet, lifting the song out of the ordinary:

The Beatles: Eleanor Rigby - from Revolver, 1966

(via itsjustvinyl)

ratak-monodosico:

The Beatles - For No One

octoparty:

Octopus’s Garden by The Beatles 

in Because is haunting.

Because, written by John Lennon, was inspired by Beethoven’s Moonlight Sonata.

“Yoko was playing Beethoven’s ‘Moonlight Sonata’ on the piano … I said, ‘Can you play those chords backwards?’, and wrote ‘Because’ around them. The lyrics speak for themselves … No imagery, no obscure references.”

misswallflower:

Because the sky is blue, it makes me cry.

The Beatles - Because

Scene from the final episode (Fallout) of The Prisoner.