Les Musiciens du Louvre-Grenoble & Marc Minkowski - 6 Concerts Transcrits en Sextuor: 1. La Poule
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33 plays

intertnet:

Rameau, 6 Concerts Transcrits en Sextuor 1. La Poule

Marc Minkowski: Les Musiciens Du Louvre - Rameau: Les Indes Galantes - Rondeau
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154 plays

bachsweets:

Rameau
Les Indes Galantes: Rondeau


Les Musiciens Du Louvre - Marc Minkowski, dir.

BachSweets: Thanks to William Christie and company, I can no longer hear this music without thinking of funky, dancing buffalo.  =]

3rd movement (Tambourin) from Jean-Philippe Rameau’s Pièces de clavecin en concerts No. 3 in A Major. Performed by Il Giardino Armonico (on period instruments).

Giovanni Antonini, flute

Enrico Onofri, violin

Vittorio Ghielmi, viola da gamba

Ottavio Dantone, clavecin (harpsichord)

Natalie Gal and Uta Gruber, dancers

(From the DVD “Music of the French Baroque”)

Jean-Philippe Rameau - 17 - Pieces de clavecin - Tambourin
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102 plays

nothingbutimpudence:

Jean-Philippe Rameau - Tambourin

Kenneth Gilbert - Nouvelles Suites de Pieces de Clavecin - Les Sauvages
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20 plays

Les Sauvages composed by Jean-Philippe Rameau. Performed by Kenneth Gilbert.

3rd movement (Tambourin) from Jean-Philippe Rameau’s Pièces de clavecin en concerts No. 3 in A Major. Performed by Il Giardino Armonico (on period instruments).

Giovanni Antonini, flute

Enrico Onofri, violin

Vittorio Ghielmi, viola da gamba

Ottavio Dantone, clavecin (harpsichord)

Natalie Gal and Uta Gruber, dancers

(From the DVD “Music of the French Baroque”)

Jean-Philippe Rameau - 17 - Pieces de clavecin - Tambourin
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102 plays

nothingbutimpudence:

Jean-Philippe Rameau - Tambourin

alefonseca:

Rameau - Pièces de clavecin en concert N° 5 (La Marais) / Il Giardino Armonico

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592 plays

sheeper:

Jean-Philippe Rameau: Le Rappel Des Oiseaux

Sophie Yates (Clavecin)

Therefore we well observe that the title of perfect cadence is attached only to a dominant that progresses to the main tone, because this dominant, which is naturally contained within the harmony of the main tone, seems, when it progresses to it, to return as if to its source.
Jean-Philippe Rameau, in “Nouveau système de musique théorique” (1726).
baroquenoise:

Jean Philippe Rameau (1683-1764)
Jean-Philippe Rameau was one of the most important French composers and music theorists of the Baroque era. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside François Couperin.

baroquenoise:

Jean Philippe Rameau (1683-1764)

Jean-Philippe Rameau was one of the most important French composers and music theorists of the Baroque era. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside François Couperin.

titam:

Jean-Philippe Rameau (1683~1764) [ Pièces de clavecin en concerts ] 1741 Concert n° 5 en ré mineur 1. La Forqueray

3rd movement (Tambourin) from Jean-Philippe Rameau’s Pièces de clavecin en concerts No. 3 in A Major. Performed by Il Giardino Armonico (on period instruments).

Giovanni Antonini, flute

Enrico Onofri, violin

Vittorio Ghielmi, viola da gamba

Ottavio Dantone, clavecin (harpsichord)

Natalie Gal and Uta Gruber, dancers

(From the DVD “Music of the French Baroque”)

[Flash 9 is required to listen to audio.]
30 plays

barauxfolies:

Jean Philippe Rameau - Castor et Pollux (1754), Overture

Aradia Ensemble, cond. by Kevin Mallon

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10 playsDownload

beneetu:

Rameau: Les Fêtes D’Hébé

- Air, “Revenez Tendre Amant” 1:53

 Marc Minkowski

 Rameau: Une Symphonie Imaginaire